The Commission Conundrum

A lovely couple in Austin already own some of my work...
Several months ago, Husband contacted me and asked if I would create a special piece for their 50th Anniversary. He was going to send me some photos... due date way in the future.

I was in the middle of a really large corporate commission, so I didn't even take a peek at the photo[s] until I was getting close to starting.
This is what I found.

Original size? About 8x10"

Oh boy.
I was in trouble.

Husband wanted a piece 16x20" - usually no problem. But it wasn't a close up. It was their wedding pic from 1964! Husband wanted both of them in the pic, veil, cake and all.

Uh oh.
I was in BIG trouble.

Usually, a 16x20" portrait is a very close head shot.
I work from photos, and these were aged...faded...the colors were a little off.  I couldn't see both of them as clearly as I would like.
I asked... can I just do a close up wife? [no]
Can I skip the cake? [I hope not]
Can I see some more photos? [sure]

Husband sent more pics.

Didn't help.

I tried sketching, I tried painting. I wanted to say "uncle." 

I wrote - I'm sorry, I can't do it.

Husband wrote me a short, but lovely note. It hit me in the heart. I suddenly felt even MORE connected to this couple. I studied their photos. She looks like a doll...so lovely. He looks so happy.
Alright... I'll do it.

That's why they call it making Art the Agony and the Ecstasy

It reminded me... why artists sometimes feel like they're painting the Sistine Chapel. A portrait is so personal, so meaningful. I mean.. I can't screw this up!
It's too important.









 
I cropped the photo to this. I tried to amp up the colors.
I started, like always, with a sketch.
Terrified.

Is this going to work?

I painted, I cut paper, I got into it.
Suddenly, I felt like I was in the groove.

I looked forward to every day spent with the couple.

Parts of this portrait are really simple, parts are VERY complicated.

I kept going back and forth between their wedding photo and their portrait to be. I figured out what would work for me... and hoped they'd like it.


Here's the finished piece and some details. The majority is upcycled junk mail [like I do] and I used paper doilies to create the lace... some rhinestones for details in the veil [and ring]. I made a few color changes and a bit of paint to hopefully make the tulle more realistic. This is not in professional lighting...just a quick pic while still on the easel... sorry about the glare.

A challenge met is a real triumph. I'm very proud of what I created.
And, the happy couple is really happy, too. I was out of town when Husband received the finished piece. His note to me made me cry.

Say what you want about suffering for your art - making something with your heart and soul...with your own two hands - that has such a tremendous affect on another person[s] is what it's all about, baby.
I will forever be connected to this lovely couple who have a piece of me on their wall and I have a piece of them in my heart.

10 years in the making - HARAJUKU Girls Kawaii! Style...

Something like...oh, ten years ago Gwen Stefani's song Harajuku Girls came out. I liked the song, the album, and thought the styles the Harajuku girls developed was so much fun! I never forgot it.

Here's a pic of Gwen with a few of the girls... and here's a LINK to the song on YouTube.

 I had a dream about a year ago... in it, I was creating these ridiculous necklaces featuring plastic babies, that were flocked. I searched high and low for the right size babies, bought 'em, painted 'em, flocked 'em. They're still in my studio waiting for a place to go.

I rediscovered Harajuku girls again... and there are a LOT of different styles. I like the Kawaii style that includes a lot of toys, baby colors, and ornaments. Here are some samples of what's happening in 2014:


Cute, right? I love the sparkles, the Hello Kitty look, the bright colored hair... so I decided to create a portrait of some Harajuku girls using upcycled items. I collected a lot of used things from thrift stores... barrettes, yarn, buttons, toys, jewelry, glittery things... and then started drawing, painting and cutting paper.

I made some changes along the way - in color scheme and a few other things...my motto is "The Impulse is the Action!" I put some red and white rays in the back to simulate the Japanese flag... everything else is from my imagination and inspiration.

first sketch

The paper I used is in my studio...a collection Holiday cards, packaging, postcards, business cards, menus, calendars, training manuals, trade magazine covers, catalogs, business cards, tags, etc. I save everything. All the paper used in the background is Christmas cards, or paper with metallic. Every single piece is cut by hand and glued on to the painting -I created- on canvas.
I cover all of the painting with paper... and the only paint at the end is used on the eyes.

Paper part done!

After I finished the paper mosaic, I added a little blush [yeah, real makeup] to the "girls" to tint the paper! I sealed the composition with a non-toxic gloss lacquer. Ah...but I wasn't done yet.

I assembled all those thrift store toys, jewels, etc. to add to the portrait. I know - the girls are flat, and the toys are dimensional. I HAD TO follow through with my vision. I attached, using glue, thread and fishing line... a variety of "stuff."
I even took some of those babies, painted on some pajamas, flocked them with irridescent glitter and coated them... drilled holes into them and made them into a necklace!

plastic babies in their glitter onsies

I cut slits into the canvas to attach hair clips, a crown and earrings. There are jewels, a doll, a pony, hello kitty eraser, a baby pull toy, more weird plastic babies, teddy bears, buttons, and other jewelry.
I was going to use lavender yarn for hair, but it didn't lay right.
At the very end, I touched up the eyes, adding just a bit of paint. The finished piece is 30x40" unframed, but edges are finished. You can see it "in person" in Miami in December at the Spectrum Art Fair. For information on how to get tickets to the oepning, send an email.

Yeah, it took 10 years for a song to make it to my easel, and to finally get some babies on a necklace!
Thanks for reading!

The custom portrait process...and "inside the studio" insights.

It's his birthday, he's in his 70's. He is getting married. 

He started coloring his hair a little...

His family wants to give him something special.

A Portrait. From me!

I get these photos through email, and put together a quick sketch to capture the best of both of them.  I picked the photo of "her" from above [her eyes were the biggest] "him" from the top photo, and his hair color from the one on the right.

Quick Sketch in Paint on Canvas

After drawing and painting, I begin the process of cutting up hundreds and hundreds of pieces of paper. What started out as a simple mosaic process has become an incredibly detailed method...I've been doing this for so long, it's just second nature and difficult to explain!

There is a set of old bedroom furniture in the studio [it was mine when I was a kid] - all junk mail, old calendars, postcards, menus, fly cards, card stock, greeting cards and other ephemera go into those drawers. 

Before I start a new project, I spend a few hours going through that stuff - cutting it and sorting into colors...those piles go into other drawers.

Back to the easel, I sort the colors I've chosen to use by shade and lay them out on a large table. I work one color at a time, cutting and pasting [glueing] each piece one at a time, cutting again and again to fit. Sometimes, they're nothing but a sliver... I might need tweezers to hold the tiny piece, I might need an exacto to trim... The process takes hundreds of hours... during this time, I am looking at the subject's photos...constantly going back and forth, tweeking whatever I need to "get it right."

Thank goodness for NPR and Pandora and PBS online... I can listen to stories, music, comedy and might learn something while I am working or discover a new artist whose music grabs my attention.

Sometimes one of the dogs wanders into the studio. Usually Farfel, who wants me to hold her, but that ain't happening. But she will sit on my hot pink chair and whine... I wish I had a baby bjorn for dachshunds.

In the morning hours, after I have my tea, I often work in whatever I was sleeping in the night before. T-shirt, Yoga pants...Hopefully, no one will come to the door. I work odd hours, all day, with breaks to check my email and see what my friends are doing on Facebook... or talk to friends or family... always wandering back in and picking up where I left off. I am back in the studio at night - often WAY into the wee hours. When I am in the mood...the "zone" I don't know where the time goes. 

The studio is carpeted and I am always trailing it around - embellishing the house with slivers of paper that have stuck to my toes or my socks... and at some point, vacuuming is necessary. Byproduct of my work.

After all the paper is applied, I go back and repaint the eyes, teeth, whatever makes sense. Whatever colors you see - that's the color of the paper. After 24 hours, I apply a sealer and UV coating. Edges of the canvas are painted...usually black.

Here's a small pic of the happy couple [a little glare on the right side] before it got shipped away to enhance another home.

By the way, I don't make my art for me... I make it for YOU!

Thanks for reading!

S

What's in a Face?

Wolf whistles...Scorn...Desire...Adoration...a Mother's Love...Rejection...Swoons.
It starts with the face.

Babies are born looking like their fathers...  so they'll know the child is theirs and won't run off. Well, at least that's what I've heard, and it is certainly true of me and of my own daughter.

What is attractive? Repulsive? Beautiful? Sexy? Attraction is physical, "chemical," intuitive. We respond to what we like. So, most of us are stuck with what we're born with, other "enhance" with products and poisons and knives...to reach an ideal...and that target is always moving.

One man's meat is another man's poison
One man's meat is another man's person

My Mother told me...never trust someone with thin lips, or close-set eyes.

So, What's in a Face?

After all...aren't most of our face comprised of two eyes, two lips, one nose? Are not our faces merely skin stretched [or sagging] over muscle and bone? What's the big deal?

And yet... so much is made of our visual appearance. If you've read my blog, seen my art or know me, you know I have been exploring how our "looks" relate to our own self-image, and the messages we hear and tell ourselves. This collage was originally completed several years ago, soon after I dealt with a slight change to my own face [no one sees it, but it is glaring to me] which altered my impression of myself and others. 

Included in this composition are photos, textures, verbiage, people I know, and many others I don't.
Here are some details. I'm in there somewhere...and I don't look like Kate Moss.

"LUNA" a Pareidolic Portrait [what's Pareidolia?]

This is "Luna," a new mixed media portrait.

 Materials are: Junk Mail, Acrylic Paint, Glitter, Textured Glazes.

Pareidolia is the experience of “seeing” something in a stimulus or an object that’s simply vague and random. An example is the Shroud of Turin. Remember when you were a child lying on your back in the grass, watching the clouds go by and you saw a bunny or a castle in the sky, or the man [or woman] in the moon? Or the Madonna on a piece of toast, or a cluster of cactus? Maybe you've even heard messages when records are played in reverse [number nine? number nine?].

Carl Sagan believed that the ability to recognize faces from a distance or in poor visibility was an important survival technique. While this instinct enables humans to instantly judge whether an oncoming person is a friend or foe, Sagan noted that it could result in some misinterpretation of random images or patterns of light and shade as being faces.
Leonardo da Vinci wrote about pareidolia as an artistic device. "If you look at any walls spotted with various stains or with a mixture of different kinds of stones, if you are about to invent some scene you will be able to see in it a resemblance to various different landscapes adorned with mountains, rivers, rocks, trees, plains, wide valleys, and various groups of hills."

So often, people compare my work to those photo mosaics they've seen at Disneyland or in magazines... an image made up of thousands of photographs created in a computer.

Photo Mosaic at Disney

In fact, many people believe I use some sort of computer program to create my work. I'd like to say that no... I actually DRAW...PAINT...CUT...GLUE... using nothing more hi-tech than pencil, brush, scissors and sometimes and exacto knife.

So, I decided to tackle one of the most common Pareidolic images, the man in the moon... but I love women's faces better...

It's only a Paper Moon

I began by creating a monochromatic background and crescent moon in large squares - if you look closely, you'll see movie tickets [Knight & Day how apropo], greeting cards, advertisements, invitations, fly cards, postcards and photographs. Yes, I have a room full of paper. I save everything. I recycle everything. It took HOURS to cut and sort by tone all of those pieces! I reversed the progression on the moon.  It's only a Paper Moon!

Then the painting of Luna took shape... I kept to a somewhat monochromatic color scheme, only adding a bit of pink paper to the lips and greige shades for the hair.

Luna before the asteroids...

A Crater!

I was pretty happy when I got there, but never leaving well enough alone, I grabbed palette knives, brushes, glitter, gravel, textured gels and my own fingers to create peaks, valleys, craters and rocky textures.
This changed the perfectly flat "collage" into a textured moonscape. Now my woman in the moon looked like she was ON the moon!

This portrait, one of many in my collection of paper mosaic portraits is 30x40" on 1" museum wrapped canvas. Edges are painted black. Wired, ready to hang!

See more here: Schimmel Art Web Site

Try a Little Tenderness

For this portrait, I wanted to capture the vulnerability of a woman in love, the sweetness and femininity. Doesn't my subject look as if she were about to speak? 

Her hand, moving towards her lips...not sure what to say?

 She seems thoughtful and perhaps a bit sad. 

What she needs is assurance and some tender loving care. 

With props to Otis Redding:

Oh, she may be weary
Young girls they do get weary
Wearing that same old shaggy dress, 

But when she gets weary,
Try a little tenderness
You know she's waiting
Just anticipating
For things that she'll never, never, never, never possess,
But while she's there waiting, without them,
Try a little tenderness
It's not just sentimental, no,
She has her grief and care,
But the soft words, they are spoken so gentle,
It makes it easier, easier to bear
You won't regret it,
Some girls they don't forget it
Love is their only happiness,
But it's all so easy
All you gotta do is try, try a little tenderness
All you gotta do is, man, hold her where you want her
Squeeze her, don't tease her, never leave her
Get to her, try, try,
Just try a little tenderness
You got to know how to love her, man, you'll be surprised, man,
You've got to squeeze her, don't tease her, never leave her
You've got to hold her and rub her softly,
Try a little tenderness and watch her groove,
You've gotta to know what to do, man,
Take this advice...

 
Try a Little Tenderness

 

I used white paper with lavender and purple designs for the majority of the face, irridescent tissues for highlight, and my usual - junk mail paper source - for the rest.  

I hate to pick out frames. I always pick out the wrong ones, so I found a creative framer who can come up with interesting combinations of color and texture.

I trust my friend Mary

who put this unusual composition in a silver wood frame, and then in a seafoam textured frame.

It's amazing.

Here's my "gallery on the go" at an art festival in Virginia last year.

Chimera - an illusion?

chi·me·ra also chi·mae·ra  (k-mîr, k-)

n.

1. a. An organism, organ, or part consisting of two or more tissues of different genetic composition, produced as a result of organ transplant, grafting, or genetic engineering.

b. A substance, such as an antibody, created from the proteins or genes of two different species.

2. An individual who has received a transplant of genetically and immunologically different tissue.

3. A fanciful mental illusion or fabrication.

 

 The term chimera has come to describe any mythical or fictional animal with parts taken from various animals, or to describe concepts perceived as wildly imaginative or implausible.

This portrait - in very pastel colors - is a fabrication... an illusion, the holder of a secret, a myth. Yeah, I know... she looks like someone else. But she's not.

White with black and grey type, greys, a patterned background and trim in blues and yellow enhances a very simple composition; made of two or more "tissues." Hundreds of separate pieces of junk mail and business cards, grafted together through engineering, glue and bit of paint.

Aurelia - Golden Girl

My Golden Girl... Aurelia

Despite the similar features to a somewhat familiar face...my portrait of Aurelia is NOT an actress. The inspiration was drawn from a photo of a captivating brunette in a crisp white blouse.

I'm first to admit I appropriate images seen in advertisement... images of beauty as defined by society. I take those images and re-make them - re-invent - re-interpret the shapes, planes and curves of a face... and make something completely new.

Although it is difficult to tell, the entire piece is gold. Hundreds of pieces of hand cut and hand affixed "mosaic" pieces - of paper. White and cream pieces of junk mail, greeting cards, holiday cards accented with foil embellishments... golden pieces, bronze, and deep browns with accents of gold. The background is painted in gold and bronze.

16x20" on canvas.  Aurelia \a(u)-re-lia\ as a girl's name is pronounced aw-REEL-yah. It is of Latin origin, and the meaning of Aurelia is "golden".

"Peor es Nada"

So - who are you - the product of your DNA or who society labels you as?

This is a new, original mosaic portrait I created in my "True, the Looking Glass" series.

In 1835, a schooner named “Peor es Nada” left one of the Channel Islands after gathering the the last of the surviving natives, the Nicoleño people. One woman was left behind. The accounts of the reason vary - perhaps her baby was not on board, or she went back to the village for a prized possession. Did she jump ship or just not make it in time? A storm arose, she had not returned and the ship sailed back to the coast of California.

Over the next 20 years, this Nicoleño woman lived alone on the island. She learned to make baskets from wild grasses, to fish, to hunt seal and otter and built a dwelling from old whale bones. She sewed herself a garment from cormorant feathers and seal sinew. She survived inclement weather, fought off wild dogs and alluded hunters and hostile visitors to the island.

Meanwhile, her people were sent the San Gabriel Mission in California, and she was all but forgotten.  Her people were absorbed into California and all aspects of their culture and language disappeared.

Eventually, Captain George Nidever landed on San Nicolas Island in 1853 and found the lost woman. She boarded his ship with her bone needles and a basket, wearing the feather garment [and not much else!]. She was taken to the mission in Santa Barbara.

Now, she was a ward of the Nidever family and the Mission. No one could understand her language, including Chumash Indians from other Channel Islands.

The lost woman was given a new identity - new clothes, a new name, a new religion - she was baptized Juana Maria [even though she did not understand what that meant] and something else - foods she was unfamiliar with. This new diet quickly made her ill and she died within seven weeks of her “rescue.” She was buried in an unmarked grave, used for "Indians."

The phrase “Peor es Nada” can be translated as “Better than Nothing” or “Worse than Nothing” - This portrait is my loose interpretation of this story of lost identity - the two faces of the woman - the ward of the glittering church with a fresh new identity - and the brave, wild native woman adorned in cormorant feathers. I’ll let you decide which interpretation of the phrase works best.

The medium used - recycled paper, paint, feathers, jewels and yarn. On canvas: 24x36” Due to the delicate nature of the medium, it must be framed behind glass. Please contact me for pricing.

If this story sounds familiar, a fictionalized version was captured in the book Island of the Blue Dolphins  and later into a film of the same name. If you have children, it is a wonderful, well-written story, albeit frightening for little ones.

The “truer” story of the woman can be found here.

"We're All Free" - A Portrait of Abraham Lincoln

Do you ever wonder where you get inspiration - ideas that compel you to create?
I'm new to Richmond, Va. When I arrived, the Spielberg people were all over downtown - the capital area filming a movie about Lincoln. Lincoln seemed to be everywhere - galleries propped paintings of the president out front, Lincoln stuff everywhere...Lincoln fever.
I chatted with my niece who told me she had a "thing" for the president - her husband thinks she has a crush on him...and then I looked at the mini poster hanging in my studio of Lincoln... and thought. Why not.

Silly me, I thought creating a portrait of the 16th President would help me "fit in" in my new surroundings.

I grabbed an image online, a canvas and started the process. A lot of people who see my work ask me HOW I do what I do, so I'm sharing through photos. I took pics at every step of the way in the process - from the seat in front of the easel.

<-----Here you can see the image and my starting point. I draw with pencil and then start filling in with paint. I don't always paint, unless I really need to see how shadows are going to play. The green was the original idea... it changed later.
And here, is the painting done. I didn't paint a background. ----->

<---Idea generation - let's put a "flag" design in the background. I started with red. Originally, I was going to fill the entire background with photos of random people.
Now, I drew a circle...a "halo" --->
around Lincoln's head and added white and blue stripes, following the curves of the red stripes - within the halo.  Cutting all those little pieces of paper was really hard.

<---I added a "stripe" of people above and below the white and blue stripes.
And here, I filled in the halo's --->
background with sky blue pieces. And, I started on the shirt, and the tie. The tie is made up of pieces from my Dentist's appointment reminder postcards. I'm telling you, I save everything paper.

<--- I was a little stumped here. I decided to make the entire background sky blue - to have the halo just floating behind.
I used a variety of grey shades ---> of paper to fill in Lincoln's face. Most of them have text, but some are just texture - there is a lot of time and effort made to sort all of the junk mail in grey into shades, making sure all the tones are right.

<--- I wasn't totally happy with the
blue. I wanted to make it more homogeneous. So, I added some random shapes of blue tissue to tie it together.
And then some random white  ----->
tissue on top of the blue pieces. It's hard to see in the photo.

<---I used greys for shadows in grey for the hair, beard and coat. It didn't make sense to make this composition even MORE complicated or busy, the black also mimics the original resource photograph. I cleaned up ---->
the paint, details and coated the entire thing with a water-based lacquer. And now, it's done and looks like this!

We're All Free

I was trying to get this done in time for President's Day, but things don't always go to plan...

as any artist will tell you. The reason I added all the little people - of all colors, ages, shapes and sizes within Lincoln's halo - is to represent the President's dedication to Emancipation. and his belief in freedom for all people.

We're All Free

24x24"

Footnotes:

• As always, my art work is all hand done, mosaic "tiles" are created by upcycling a variety of paper - from junk mail to calendars to postcards, etc. All materials used are water-based, acid-free and non-toxic. For more information, please visit my web site.
• While I was working on this piece, I kept humming a song from the musical "Hair"

 "Four score
I said four score and seven years ago
Oh sock it to 'em baby, you're sounding better all the time!
Our forefathers, I mean all our forefathers
Brought forth upon this here continent a new nation
Conceived, conceived like we all was
In liberty, and dedicated to the one I love
I mean dedicated to the proposition
That all men, honey, I tell you all men
Are created equal.

Happy birthday, Abie baby,
Happy birthday to you
Happy birthday, Abie baby,
Happy birthday to you!"

You can listen here -[Happy Birthday, Abie Baby] [warning, some very explicit language]

I'd love to hear your thoughts!