Showing posts with label ideas. Show all posts
Showing posts with label ideas. Show all posts

Tuesday, May 14, 2013

"My Resting Place" - Mayn Rue Plats

I am an artist and I work alone in my studio. During most of the day and late into the night, I follow my instincts, I use whatever talent I have, and have more ideas than I can follow through with. My hands don't work as fast as my mind. A fleeting moment, a flash of inspiration often gets left behind due to other demands. Sometimes I write them down, or make a quick sketch. But, when something takes hold of me and won't let go, I have to fling myself down that rabbit hole.

And so it was one night, working away, listening to music, when a haunting melody, a song I'd heard many time before, gripped my heart. I listened over and over again. I am still humming it.

The first time I heard the song, I knew it was in Yiddish, and the minor key and the lyrics in English made me believe it was about the Holocaust. As the daughter of two Holocaust survivors, [Mom Dad] my response was immediate. But no, "Mayn Rue Plats" is a poem set to music, relating the sad story of the Triangle Shirtwaist Factory fire.

Recent horrific factory deaths - fires, building collapses in Bangladesh and harsh working conditions around the world spurred me to create a piece of art that would reflect the horror of these tragedies - a response in mixed media. The price of profit... the lives of women...

The version I was listening to is by June Tabor, a British folk singer who I have followed and enjoyed since 1976 when I purchased "Silly Sisters" an album with another amazing folk singer, Maddy Prior. I had to follow my gut reaction.

The song is on Tabor's album Aqaba [one of my favorites]. Although the poem was written prior to the tragedy, it is very closely associated with the fire, which spurned changes in labor laws, state and federal government safety laws and unions.  

This is the poem written in by "Sweatshop" poet Morris Rosenfeld [1862-1923]:

Mayn Rue Platz
Don’t look for me where myrtles are green.
You will not find me there, my beloved.
Where lives wither at the machines,
There is my resting place.

Don’t look for me where birds sing.
You will not find me there, my beloved.
I am a slave where chains ring,
There is my resting place.

Don’t look for me where fountains spray.
You will not find me there, my beloved.
Where tears flow and teeth gnash,
There is my resting place.

And if you love me with true love,
So come to me, my good beloved,
And cheer my gloomy heart
And make sweet my resting place.



Most of the women who died in the fire were young Jewish and Italian immigrants - as young as 13. They were cutters and machine operators. The owners of the factory [located in New York City] locked the doors so the workers were not able to go into the stairwells to take breaks or to steal the products. When a fire broke out in a bin of scrap fabric, the women were not able to escape through locked doors - and many leapt out of windows or died in collapsing stairwells, flung themselves down the elevator shaft or were consumed in the fire, sitting at their sewing machines. Read more here, here and here. Warning, there are gruesome photographs on these sites.

The result of my trip down this sad, sad rabbit hole? My piece, "My Resting Place" 
It is 24x24" mixed media on canvas. It contains images of 129 women - each photo charred and sample "swatches" of fabric, also burned. It contains "ghost" images of actual victims Franny Rosen,
and Josephine Cammarata below...
of the Triangle Shirtwaist Factory fire, and one upside down,  a child
 
plummeting from the 9th floor. 

Other details include hand stitching, burned locks and keyholes, silk flowers, ribbon, chain,
measuring tape, pins and machine parts. The background includes excerpts of the original poem in Yiddish. The main portrait is of a young woman, created in my signature style of paper mosaic. Photos here were taken in bright sunlight so you might see shadows, and are not perfectly aligned. You'll also notice an easel in the front. Please DO NOT COPY without permission.

Please listen to the song while gazing at this piece [here is a Yiddish version]. And please let me know what you think. If you would like to see my work "in person" Please visit my site to see where it is shown. If you would like to purchase this piece, please contact me directly.

Saturday, March 10, 2012

"We're All Free" - A Portrait of Abraham Lincoln

Do you ever wonder where you get inspiration - ideas that compel you to create?
I'm new to Richmond, Va. When I arrived, the Spielberg people were all over downtown - the capital area filming a movie about Lincoln. Lincoln seemed to be everywhere - galleries propped paintings of the president out front, Lincoln stuff everywhere...Lincoln fever.
I chatted with my niece who told me she had a "thing" for the president - her husband thinks she has a crush on him...and then I looked at the mini poster hanging in my studio of Lincoln... and thought. Why not.

Silly me, I thought creating a portrait of the 16th President would help me "fit in" in my new surroundings.

I grabbed an image online, a canvas and started the process. A lot of people who see my work ask me HOW I do what I do, so I'm sharing through photos. I took pics at every step of the way in the process - from the seat in front of the easel.

<-----Here you can see the image and my starting point. I draw with pencil and then start filling in with paint. I don't always paint, unless I really need to see how shadows are going to play. The green was the original idea... it changed later.
And here, is the painting done. I didn't paint a background. ----->

<---Idea generation - let's put a "flag" design in the background. I started with red. Originally, I was going to fill the entire background with photos of random people.
Now, I drew a circle...a "halo" --->
around Lincoln's head and added white and blue stripes, following the curves of the red stripes - within the halo.  Cutting all those little pieces of paper was really hard.

<---I added a "stripe" of people above and below the white and blue stripes.
And here, I filled in the halo's --->
background with sky blue pieces. And, I started on the shirt, and the tie. The tie is made up of pieces from my Dentist's appointment reminder postcards. I'm telling you, I save everything paper.

<--- I was a little stumped here. I decided to make the entire background sky blue - to have the halo just floating behind.
I used a variety of grey shades ---> of paper to fill in Lincoln's face. Most of them have text, but some are just texture - there is a lot of time and effort made to sort all of the junk mail in grey into shades, making sure all the tones are right.

<--- I wasn't totally happy with the
blue. I wanted to make it more homogeneous. So, I added some random shapes of blue tissue to tie it together.
And then some random white  ----->
tissue on top of the blue pieces. It's hard to see in the photo.




<---I used greys for shadows in grey for the hair, beard and coat. It didn't make sense to make this composition even MORE complicated or busy, the black also mimics the original resource photograph. I cleaned up ---->
the paint, details and coated the entire thing with a water-based lacquer. And now, it's done and looks like this!


We're All Free

I was trying to get this done in time for President's Day, but things don't always go to plan...
as any artist will tell you. The reason I added all the little people - of all colors, ages, shapes and sizes within Lincoln's halo - is to represent the President's dedication to Emancipation. and his belief in freedom for all people.
We're All Free
24x24"

Footnotes:
  • As always, my art work is all hand done, mosaic "tiles" are created by upcycling a variety of paper - from junk mail to calendars to postcards, etc. All materials used are water-based, acid-free and non-toxic. For more information, please visit my web site.
  • While I was working on this piece, I kept humming a song from the musical "Hair"
 "Four score
I said four score and seven years ago
Oh sock it to 'em baby, you're sounding better all the time!
Our forefathers, I mean all our forefathers
Brought forth upon this here continent a new nation
Conceived, conceived like we all was
In liberty, and dedicated to the one I love
I mean dedicated to the proposition
That all men, honey, I tell you all men
Are created equal.

Happy birthday, Abie baby,
Happy birthday to you
Happy birthday, Abie baby,
Happy birthday to you!"
You can listen here -[Happy Birthday, Abie Baby] [warning, some very explicit language]

I'd love to hear your thoughts!